![]() (That last one’s a pretty tricky sell after Blair and Sterling dissolve into teenaged giggles upon seeing the word “penetrate” in one of Bowser’s files.) And in exchange, Blair and Sterling earn enough cash to pay for the damages they caused to their father’s pickup truck after they crashed it. ![]() He tells their parents that they’re working at the frozen yogurt shop he manages, and he tells the bail bondswoman who feeds him cases that they’re college students. So Bowser gives in to Blair and Sterling’s pleas to take them on as his apprentices. Moreover, the upper-class evangelical white twins have access to parts of the Atlanta social scene that Bowser, as a Black man, can’t otherwise get to. ![]() Field hockey star Blair is a fast runner, and daddy’s girl Sterling is an uncanny shot with a gun. The boss in question is Bowser (Kadeem Hardison), a bounty hunter who finds himself taken, in spite of himself, with the twins’ skip-catching abilities. “I am so proud of her,” she tells their unimpressed boss after filling him in on the details. ![]() And when she confesses she’s lost her virginity, Blair is both scandalized that Sterling has reached this milestone before her - “You mean sex like I’m always talking about?” - and sweetly supportive. Obviously Blair’s the bad one.īut Teenage Bounty Hunters tips its hand that it will be complicating that dynamic when in Sterling’s very first scene, she talks her boyfriend into having sex by quoting scripture to him. Blair is brunette, a metalhead, and into smoky eyeliner, while Sterling is blonde, fond of argyle, and a leader in the sisters’ shared Bible studies class. In a witty touch, they periodically communicate in twin telepathy, the rest of the world going fuzzy around them as the camera zooms into extreme closeups of their faces and they have extended conversations with their eyes.īoth twins consider Blair to be the bad twin and Sterling the good one, which is a matter of aesthetics as much as anything else. Their sisterly bond anchors the show: They’re prone to periodic bickering, but they are exuberant in their mutual love for one another. Netflix canceled the show after its first and only season despite solid reviews, but you can still inhale all 10 hour-long episodes in a deeply enjoyable weekend binge.Īt the center of Teenage Bounty Hunters are Blair (Anjelica Bette Fellini) and Sterling (Maddie Phillips), the twins who find themselves juggling their schoolwork with bounty hunting. All that combined with a slyly stylish ear for dialogue that can pull off lines like, “A horse on the force is a cop.” “Of course,” and you’ve got a nigh unstoppable charm offensive. The results are incredibly fun - and they include some pretty sophisticated discussion of heady themes like religion, race, class, and queerness. The show is a frothy delight, a sweet-natured and whip-smart coming of age story about two fraternal twins living in Atlanta, Georgia, who find themselves moonlighting as bounty hunters in training. Teenage Bounty Hunters, a one-season wonder executive-produced by Jenji Kohan ( Orange Is the New Black, Weeds) that premiered on Netflix last summer, is certainly no exception to that theoretical rule. Is there something about a teen TV show with a ridiculous name? Maybe it’s the outsized weight of Buffy the Vampire Slayer skewing my perceptions, but it seems as though the campier and sillier a teen show’s title is, the better the show is likely to be.
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